The new note – which has been designed in consultation with the public - is available from today at eight Royal Bank of Scotland branches, including Dundee’s High Street; Glasgow’s Sauchiehall Street and Gordon Street branches, St Nicholas Street in Aberdeen, the Inverness Chief Office, Paisley’s Chief Office and Edinburgh’s West End and flagship St Andrew Square branch.
Designed in partnership with leading Scottish arts’ organisations and designers including Graven Images, Nile, Stucco, Timrous Beasties, O’Street and the Glasgow School of Art, the £20 is the third in a series of ‘Fabric of Nature’ themed notes made from De La Rue’s Safeguard® polymer material and will also contain a variety of new security features, making it difficult to counterfeit but easy to authenticate.
In designing the new notes, Royal Bank of Scotland launched the People’s Money programme and engaged with thousands of people across Scotland through workshops, online communities and polling surveys.
As a result, ‘Fabric of Nature’ was chosen as the theme. The choice of Kate Cranston to feature on the £20 note was taken by the Royal Bank of Scotland Scottish Board.
Commenting, Royal Bank of Scotland’s Scottish board chair Malcolm Buchanan, said: “At Royal Bank of Scotland, we feel that a banknote’s value is more than just the figure printed across its front - it is our symbol which lives in people’s pockets and touches everyday lives.
“Kate Cranston’s legacy touches so many aspects of Scottish life that we, as a nation, are justifiably proud; entrepreneurialism, art, philanthropy and dedication.
“Choosing the design of the £20 note was an important decision for it is Royal Bank of Scotland’s biggest circulating note, with £736m currently in circulation.
“On the eve of International Women’s Day it is fitting that such a figure as Kate Cranston will be celebrated on the face of our most popular note.”
In keeping with the Fabric of Nature theme, the new £20 features illustrations of red squirrels on its reverse and also features the blaeberry fruit. It also includes extracts from 16th century Scottish poet Mark Alexander Boyd’s work, Cupid and Venus.